Posts Tagged ‘Tentacles’

I’m a witty guy in conversation, pretty offbeat, who routinely cracks people up when shooting the shit. And I glow and glimmer and blush and giggle when this happens. I love being laughed at, it feels great. So it probably shouldn’t unnerve me when people try to Hi-Five me for saying something funny and clever, but it does. I should be flattered, but instead I feel like my shorts just got invaded, and suddenly that person creeps me out a little, even if prior to their celebration of my hilarity I liked them just fine. If they gave me the verbal equivalent of the Hi-Five, I would react completely differently; my ego would purr. But Hi-Fives make me want to go home and shower. I needed to analyze why.

If something is funny, you laugh. Blow snot-bubbles if appropriate, maybe keel over, nod appreciatively or remark on the funny. But the Hi-Five feels strategic. Hi-Fives were designed as a way to celebrate a joint success, a mutual victory for the team, some goal accomplished by synergy, very often recognized while wearing roller skates. You can’t Hi-Five yourself very successfully – it takes two people at least. So when someone Hi-Fives my funny, it feels like they’re taking shared credit for my input, or implying the kill was pre-organized by the both of us, and it played out perfectly. Jesus man, get the fuck off my joke!

The type of people flinging hands in the air like they just don’t care fits a pattern too – it is never, ever one of the cool kids. Usually slightly lacking, sometimes with a strange odor, gravy stains on their shirt and a twinkle in their eye like they’re your next stalker – people who Hi-Five jokes are scary. They fail as adults, they fail as humans, they fail as communicators and they definitely fail as social butterflies, and the likelihood of us becoming besties is thus reduced.

Groupies have been around as long as musicians, and music is like magic. It transforms thin air and acoustics into widespread viral emotion, and so musicians were treated like magicians, and got laid for sharing their divine elixir. In the aftermath of a successful joke, people are warmed up because you made them laugh and forget their day; you interjected some much-needed levity into the woe, and we all appreciate this. Nobody has ever punched me immediately after laughing at me, but several have thanked me, complimented me and remarked on how they needed a laugh. For a brief moment, we the funny become Adonis of the Wit. If I could choose my own philosopher god name to be etched into the pantheon wall, it would be Rhetoricles. If I never achieved a single other thing in this world, I would want to be remembered for lightening people’s loads, and taking the edge off shitty days everywhere I traveled. And the Hi-Fivers are trying to be my groupies.

The Hi-Five is also a warning to the onlookers, much in the way a tom cat might Hi-Five a tree with his urine. It’s an unspoken message to the rest that we have an inside joke going on, and although we all laughed together, they understood it a bit better, because they heard this one already when we came back from the gym and stopped off for a beer on the way home. Hi-Fiving jokes is like gatecrashing a party with a forged invitation, claiming more right than anyone else to be there because you have documentation to prove it. And in the moments following the Hi-Five there is an awkward silence, because some goofy nerd briefly acted like he was on spring break drunk wearing a speedo. Now they’re back in front of a room full of people, realizing the laughter died down quite some time ago.

Fun is to be shared; our sense of humor is the best attribute we have, which is why we encourage each other when silliness abounds. But physical contact has its place, and people who Hi-Five jokes are also the ones who touch pregnant women’s bellies without permission, or stroke your hand when giving you change at the store, or gently lick your T-shirt sleeve while you snooze obliviously on the porch in the late summer. And then herein, we get to the true root cause of my reaction, because do not shake my hand either, or grope my ass or ruffle my shoulder or punch my arm or gyrate against my neck – I don’t like spontaneous, unannounced physical contact. Whatever your gig, and however you feel, keep your filthy paws off my silky drawers.  And please do not spread rumors that we are BFFs.

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Interesting observation when you look at the angle increments on a circle, equally divided down to the smallest integer intervals (45° apart):

0°, (Twelve o clock), 45° (1.30), 90° (3.00), 135°, 180°, 225°, 270°, 315° and 360° – all the digits of these divisions add up to exactly 9.

And when you multiply 9 by anything, the digits of the answer also add up to 9, (except multiples of 11 x 9, which have to be divided twice, as in:  11 x 9 = 99 -> 9+9 = 18 -> 1 + 8 = 9).  or 22 x 9 = 189, 1 + 8 + 9 = 18, 1 + 8 = 9).

I plugged some randomly high numbers into a calculator to test the theory beyond what I can do in my head, and here’s what I got:

9 x 103 = 1107. 1 + 1 + 0 + 7 = 9.

9 x 358 = 3222.  3 + 2 + 2 + 2 = 9.

9 x 774456 = 6970104.  6+9+7+0+1+0+4 = 27.  2+7 = 9.

9 x 1155 = 10395.  1 + 0 + 3 + 9 + 5 = 18.  1 + 8 = 9.  Incidentally, 1155 is 105 x 11: another multiplication of 11.

Going in the other direction, 9 is 3 squared.  In binary, 3 is written as 11.

I try my hardest never to judge anyone for anything, but in one specific area I sometimes fail:  I can’t stand half-arsed attempts at anything.  I just can’t bring myself to read crap writing, listen to crap music, or summon anything but indifference towards crap art, and it bugs me that people release things before they are ready for release.  If you’re going to do something, then you have to do it to the absolute best of your ability, otherwise why bother?  Why would I write, unless I can learn to do it in a way that makes my soul bleed and my heart explode?  Why create music that wouldn’t even stir a cup of coffee?  That’s not to say don’t go for it – actually, I’m saying the opposite.  If you’re going to create anything, then do it as though it were the most important thing in your life, because really it is, or should be.  Strive to change the world, or get the hell off my planet.  Nobody is born good at stuff – this takes tears and frustration and dragging your self-esteem through the shitter.  But if you want it, then how else can you get it but to challenge yourself to be better, with every note or sentence or brush stroke you put down?  And if you find yourself dissatisfied with something you’ve done, then go back to it.  Stay up all night with it.  Take it to the basement, and fight to the death until it’s either excellent / great / powerful, or ditch it entirely and keep on trucking.  You can’t ever, ever let the product dictate your limitations – it’s the other way around, and with that mindset, you really don’t have any limits.  This is key.

A plain fact is that writers have to research – we’re all very familiar with that.  I couldn’t write cold about an FBI agent or a safari guide, because I don’t know anything about being either.  If I wanted to attempt that, then I’d need to do a whole lot of learning before I began.  So that being said, something I see over and over in fiction writing is when people use the musical term “octave” incorrectly, and it goes up my arse.

Two people are engaged in adult playtime, and when a particularly stimulating thing just happened, “their voice went up an octave”.  NO IT DIDN’T!!!  They’d sound like Mickey Mouse!  An octave is the same note, raised to the next stave in the musical spectrum; that would sound ridiculous in this context, and send the love interest into fits of laughter or fear!  I’m sure it went up in pitch, maybe even volume (decibels), had a tremolo effect in there, the intonation changed, but if I was ever playing round with someone whose voice went up eight whole notes for any reason, I’d either call a doctor, an exorcist or Simon Cowell.  An octave is a very precise measure, so it would sound perfectly harmoniously musical – they would literally be singing.

To that same note – pun intended – look at the roots of words, and use them accordingly.  Octave – eight notes.  Octopus – eight tentacles.  Octet – eight people.  Octagon – eight sides.  Octapeptide – a protein fragment comprised of eight amino acids linked in a polypeptide sequence.  (OK – that last one I didn’t know without referring to my old beloved Merriam Webster).  Octogenarian, an eighty year old, octcetera octcetera octcetera.

I don’t really care what anyone writes – it is certainly none of my business.  But from a reader’s perspective, these small transgressions can have massive ramifications in how you are perceived as an author.  If you choose to write, then words are your notes, and using the wrong one is akin to Beethoven hitting a bum chord halfway through Moonlight Sonata.  One second you’re half asleep floating on a raft at midnight, and the next you’re arse-deep in cold water, thrown out and coughing up seaweed.  Words are critically important, especially if words and language are your business, and you’re asking other people to give you money in exchange for those sentences.  The worst response you can get to any creative endeavor is apathy.  It’s hard enough to shine in this overcrowded world, without giving the world a perfectly valid reason to bury you in obscurity.

Back in my reckless and feckless youth, (or “yoof”, if we’re being regionally appropriate), I was obsessed with learning how to consciously Astral Travel, and with learning how to invoke lucid dreams.  I learned a very cool trick from an interview with Chris Barnes – the vocalist from Cannibal Corpse, who was incidentally way into this stuff – in which you program your subconscious as you’re falling asleep, by implanting triggers in your mind which allow you to ‘wake up’ in the dream, and start making conscious decisions while you are fully asleep.  This is unbelievably effective.

What you do is this:  As you’re dozing off – preferably not whilst driving – think of a light switch on a wall, next to a door.  Make it as vivid as possible, and meditate on this until you are asleep.  For vividity’s sake, I saw a bright green light switch on a red wall.  Do this every night for a while; make that your falling-asleep mantra.  And then in your dreams, on any given night, keep an eye out for this light switch.  Once you see it, your mind will recognize it as a cue, and as soon as you see this cue in your dream, look at the palms of your hands (if you are lucky enough to have them).

What happens is this:  When you look at your hands, you will immediately teleport into another place in the dream – could be anywhere.  And because you a) saw your cue, and b) made the deliberate decision to look at your hands, you become fully cognizant of your dream surroundings, and can then walk round and go wherever you please.  (I highly recommend doing this after watching several episodes of the Magic Roundabout!) Not only will you then get to enjoy absolute freedom to go anywhere in the world, but you will also remember every detail of the dream / trip when you wake up; this in and of itself is priceless – especially if like me, you have a memory like a whatchamacallit.

So I used to always go looking for said power animal, but in the last ~ 20 years, never found it, and started to discount the power animal story as being hokum.  But recently I’ve begun doing this again, and something occurred to me:  The Power Animal can be whatever you want it to be, and if it doesn’t find you, fkit – go and find it.  Better still, program it in there.  After all, spirit guides aren’t ACTUALLY animals – obviously.  That would just be weird.  They’re ghosts / telepathic aliens made of light / inventions of our perspective / small gods / whatever.  So they’ll adapt to whatever form works for you.  Since I moved to the US, I’ve had a particular affinity for frogs.  This stems from a small metal statue we have on the coffee table of a frog sitting in a Buddha pose.  This little statue has made me feel so Zen over the years, I named him “Peace Frog”.  (Hmm – maybe my power animal is Jim Morrison – I could live with that too).  So the conclusion of this is actually quite boring – nothing has yet happened with my power frog, but I just decided that’s quite appropriate.  So I’m going to go to sleep tonight, astrally travel to someplace swampy and fetid – maybe a fetid swamp – and I am SO going to hang with my amphibious friend, to see what the hell is going on around these parts.  Because while I’m awake, I live in a state of perpetual confusion and bewilderment.  If anyone wants a souvenir, (like a bag of dead mosquitoes), let me know.  You have about 8 hours to get your requests in, and then I depart.

Peace Out!

CC